The poets have arrived!

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We’re now on site. And in less than an hour The Antipoet will take the stage and Glastonbury Poetry&Words 2015 will have begun. And there’s a hell of a lineup today…

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So grab your tea/coffee/fruit smoothie and your bacon sarnie/full english/tofu compote and head into the Big Grey Tent with ‘Poetry&Words’ written on it for some world class Spoken Word.

And on a different note…

One of the Glastonbury cows drawn for the blog was featured in the Glastonbury Press. Go us! The Press is printed on a massive still-working Heidelberg Press. This may not sound interesting to anyone else, but it’s Graphic Design porn to me. Anyway, here’s Lemmy the cow from Motorherd (pun courtesy of Dan Simpson)

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So Poets Ready? Sound on? Lets play ball…

Want to perform?

Come into the tent to put your name down for the open mic (Saturday 27th at 12.50pm) or the poetry slam (Sunday 28th at 5pm)

Scott 🙂

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Tribute to the Cows of Glastonbury

As the sunrise of Glastonbury week breaks, we the poets, the troubadours of the 21st century raise a wordspun glass to those sentient beings whose home we are borrowing for the week. Those bovine refugees whose transient presence paint this green and pleasant land with bold splashes of black and white now pootle off to their respective B&B’s in Bournemouth (we think). Ladies and gentlemen, a toast to the cows of Worthy Farm…

cow_pyramid

Vanessa Kisuule

I raise my sadly super market bought
Pint of semi skimmed to you
The true headliners of Glastonbury
You take centre stage
All other days of the year
And then one fateful week in June
You let us ticking glitter bombs
Piss our hedonism into your soil
We are sorry in advance
We almost definitely
Won’t leave it as we found it
It will take you some time
To strip away the shrapnel
Of our four day decadent dance
But we shall leave echoes
Of the choruses we sang along to
The festival friendships formed
Fast as a sailors knot
Then faded to phantom grey
We will bend down on our knees
And baptise ourselves in the mud
You will christen us crazy
In your field of dreams and whimsy
And on Monday as we trundle back
To the gunmetal of day to day
We will turn our heads back
To the post-apocalypse scene
Behind us
And nod sagely
In silent respect to you
The cows of Glastonbury

Harry Baker

 

howard

Howard

Howard lived in cow woods,
living how a cow would live,
chewing grass and making pats
were the main things Howard did.

They said Howard was a coward,
feeling how a coward feels,
fear would overtake excitement
looking at the outward fields.

It wasn’t easy living in the woods,
there wasn’t that much space,
but it was all he’d ever known
and that made him feel safe.

He’d heard about
this herd and how
they roamed completely free,
he hoped if he was brave enough
one day that’s where he’d be.

But
how would Howard leave
as a cow so cowardly?
He scoured cow wood’s trees
and caught a glimpse of the outside.

For
an hour now or three
he’d been about to bow and see,
but he’d allowed the doubts to breathe
and now he wants to run and hide.

But then one foot at a time
he tries
to set his fears aside,
he sighs,
and then he steps outside
his hiding place.

No longer sheltered by the trees
he feels a breeze,
he cannot breathe,
suddenly weak at the knees
his cagey heart begins to race.

So he retreated to the woods
where he knew that it was safe,
and told himself another day
he’d try again.

 

Carly Brown

cowpat2

A Poem for the Cows

Cows do not like poetry.
This fact is sad but true.
They do like painting and ballet
and even music too.

But try to get a cow to read
one line of a haiku?
They’ll roll their great big dopey eyes
and run away from you.

Cows cringe at bawdy limericks.
They scoff at tawdry verse.
And rhyming ballads, for a cow,
those simply are the worst.

That’s why the cows are happy now
to be away from here.
These pesky poets in one place
is what the bovines fear.

So while we poets stamp and jeer
and slam and speak and riot.
The cows all slumber dreamlessly
and wait for peace and quiet.

 

Charlotte Higgins

Cows

In six months I move to the city
I keep a tube map in an app and in my pocket
But lately I don’t always have to look at it to get to where I want to go

In a year or so, will I recognise London street names
The way I used to know the horse and two donkeys at the end of our road,
Or the cows I could see from my window

The half-conscious rhythm of that field
That I’d look out on, ploughed, then left fallow,
Then – always of a sudden –
Filled right up with cows
As if they’d been there from the get-go.

 

Erin Bolens

laptop

Air bnb: customer reviews.

Host: Worthy farm cows

Guest: Brenda, Cross Gates.

Feedback:

We had a great stay on worthy farm
Full of worthy charm.
We must have picked a popular week!
It was sort of like playing hide and seek
With everyone you’ve ever met.
The garden was extensive,
Local restaurants seemed expensive
Given chairs were sparse,
For most of the time we sat on our… bottoms.

The bathrooms had a minimalist vibe
(i.e. pretty much just a hole inside)
But we found this liberating,
Borderline invigorating!
But be prepared for a little waiting
And hanging around.
And we also suggest that you don’t look down.
The decor was bang on trend:
Like the apocalypse meets the West End,
Like a collage from your favourite friend,
A hipster version of make do and mend.
The neighbour’s music was pretty loud,
And seemed to pull a hefty crowd!
We didn’t realise this was allowed
Until we saw a copper in kaftan
Telling people to “have a laugh man”.
So we embraced the eccentricity
And got hooked on spicy tea.

So thank you cows for an enjoyable stay!
We hope to maybe meet one day
And say thanks for all the fun and larks,
It was a lovely alternative to our usual Centre Parcs.

 

Dan Simpson

Glastondairy Moosic Festival

The cows are going away for a week
they’re having their very own festival
a massive affair, but chic and boutique
it’s going to be unforgettable.

The bands are all booked, the tickets all sold
Daisy canters her way to the main gate
hoof-band put on, she’s brought into the fold
so excited she really just can’t wait.

Crowds of cows arrive and brave the bull run
the sound of a thousand hooves stamping
they go to pitch tents in space where there’s none
jealous of those cows who are glamping.

Don’t have a cow, Daisy – there’s room for you
in these fields where no humans will come
relax and chill out, just don’t give a moo
try to enjoy this long weekend of sun.

At least, they hope – are they grey clouds up there?
they don’t want ’97 again
but cows always know – a change in the air
they start to lie down as it starts to rain.

Daisy forgot wellies – waterproofs too
just stays there, watching, chewing the cud
till she needs to go to the portaloo –
how now brown cow? Daisy’s stuck in the mud.

Daisy loses her friends – all of her herd
starts to wander, lonely as a cow
enters a tent called ‘Poetry & Words’:
thinks: “not for me – that’s far too high-brow.”

Daisy’s exhausted, she sits for a while
listens to acts who perform poetry
and gradually her frown becomes a smile
she forgets all her worries totally.

So on Worthy Farm, the cows are all gone
off and away to explore pastures new
we raise our voices to those who belong
to this land that we’re just passing through.

As you enjoy your time at Glastonbury
look down, remember, these fields that we roam:
our ownership is just temporary
we’re only here until the cows come home.

And now, some of Dan’s Cow-based Band puns…

cow_kanye

Moo Fighters (pulled out)
Florence and the Milking Machine
Alabama Milkshakes
Graze-alia Banks
The Hoof
Cattle Williams
Kanye Dairy Crest
Dairy J Blige
Motorherd
Moodimental
Mark Oxen
Sleaford Cuds
Paul Heifer
Herd Bacharach
Beef Patty Smith
Bully Bragg
Fatboy Skimmed
Salt-J(erky)
Ungul-ate Tempest
Milko Johnson
The Of-Fall
The Maccabeefs
Catfish and the Burgermen
Cariboeuf
cow_lemmy
 .
.  
Thanks to all the poets who contributed to this. See you on the field…
Scott 🙂

 

 

The Poet Beyond Compere – Rosy Carrick

…Ok so that was a terrible pun. Meet one half of this year’s Poetry&Words compering duo. Along with the inimitable Dreadlockalien, she’ll be bigging up poets, baying for whoops and hollers and bringing audiences to the boil. Ladies and gentlemen I give you the bold, brazen, brilliant Brighton-based MC, Rosy Carrick…

rosy

You have a reputation for being hard-hitting, underpinned with a playfulness and a penchant for the rude. You host Hammer & Tongue Brighton and cult movie-themed club extravaganza, ‘Trailer Trash!’, not to mention hosting at Latitude. The job of co-compering the Glastonbury Poetry stage seems perfect for you. Looking forward to it?

Yes! It’s a great stage to compere, a great team of people involved and, of course, an awesome festival, I can’t wait!

Compering is easily the hardest and most thankless job amongst all us poets at the festival. (It would scare the sh*t out of me). Do you prefer MCing, or given the choice would you do longer sets?

Actually I’m looking forward to compering the Glastonbury stage much more than I would be if I were performing a regular set. There’s so much going on at that festival all the time, so audiences are transient and sometimes impatient for something immediately grabbing, and my poetry doesn’t really work that way — I’ve performed at Glastonbury a couple of times in the past, but I always find myself avoiding the poems I like best in favour of dependable audience faves… WHEREAS I am a grade A expert at ordering people around and getting them to shut the hell up/be noisy/dance for my amusement etc… so this is really the perfect context for me to be there in! I do a lot of compering in all manner of places, and I really love it!

The P&W tent can be veritable hive of hippies, festy lovers and the literary batty, but on the occasions when the tent is a tad sparse, do have anything up your sleeve for pulling in the punters?

The poet Derrick Brown did a cool thing there a few years ago when things were sparse – he plugged his iPod into the speakers, played some BANGING TUNES for about 20 seconds and then got what audience there was to scream, yell, applaud and whatnot as loud as they could for as long as they could. It worked a treat! Lure them in with false enthusiam, and then retain them with death threats (or the magnetic power of poetry. I guess it’ll depend on who’s onstage at the time).

To digress ever so slightly, please tell us about your menstrual blood beauty tips videos. What was the idea behind those?

Aha. Well I have a 13 year-old daughter and last year she and her buddies went through this phase of watching online beauty tips videos, and they were all EXACTLY the same — super American, super ridiculous and super demoralising. And I was like: oh my god, what’s happening to my child?! What will this do to her?! Why is she watching this?! How can these even exist in all earnestness in the real world?! I needed to to take the power out of them pronto, and what better way to (literally) illustrate my point than with period blood. Given that half the population of the whole world bleed out of their vaginas for a quarter of their adult lives, I find the perpetual widespread disgust for menstruation completely bewildering.

Don’t get me wrong, I don’t love being on the blob, but it’s powerful, and the way that women are made to feel ashamed and embarrassed about it is significant in the wider context of gender inequality. So: unnecessary beauty instructions which play into mainstream cultural female degradation + reviled yet inescapable bodily female experience = blood on your lips, blood in your hair, blood everywhere! (And bee tea double-ewe Olive thought they were funny too — and she no longer watches beauty tips videos!) Maybe I’ll do a bloody make-over stall at the poetry stage actually, it could be very lucrative.

What or who are you most looking forward to seeing at Glastonbury?

Eek. I can’t wait to see ex-Pussy Rioters Masha and Nadya talking about their political work. I spend nearly every day writing about early Soviet Russian politics for my PhD, and there are some very interesting parallels going on at the moment. OH NO! I’ve just realised I’ll be compering the poetry whilst they’re on! That’s it, I quit! I was also really looking forward to seeing the Foo Fighters, but now of course leg-gate has scuppered that. So I guess I’m just going to be sitting in my tent crying all weekend. And dancing to DJ Dad’s awesome Djing at the night-time. There’s no one I’m super duper excited about this year to be honest, although I’m well looking forward to seeing Patti Smith. Who else is performing? I haven’t had a proper look yet. I can’t believe about the Pussy Riot thing, thanks for bringing it up, man!

And now a test for you, Rosy. I give you……

‘The Hypothetical Heckler’as a seasoned MC, tell us what you’d do in the following hypothetical situations…

A man tries to stage dive inappropriately during a tender poem by Charlotte Higgins.

Get him offstage, wait till the poem is over and, if he’s still there, invite Charlotte and the whole audience to dive on him in return as a fun interlude. Then tie him up so he can’t do it again.

A streaker does a lap round the tent.

I’m cool with that, as long as it’s just the one lap.

Somebody shouts “Poems are supposed to rhyme”

“You were supposed to be the contents of a condom, but sometimes we all have to accept that not everything happens as we’d hope.”

A couple refuse to join in on one of John Hegley’s songs.

Totally fine with that. One of my biggest fears is being forced into audience participation (pantomimes make me cry, it’s a terrible phobia!) Having said that, John Hegley’s songs instill such pure joy into my heart that I always join in with full vigour, so if I do see people not joining in I will probably just think quietly to myself that although I am fine with it, they are probably dead inside.

A member of the audience tries to get up on stage and grab the mic, claiming their poem about their recently deceased gerbil is better than anything they’ve heard so far from the professionals.

If they were clearly wasted/ a trouble-making dickwad, I’d take them out of the tent and make sure there were some crew members around to stop them from returning. If not… I would say something like: “To be honest, I suspect you are merely blinded by your own grief, but nevertheless I would love to hear your memorial poem…. but only AT THE OPEN SLAM on Sunday (which you can sign up for in the P&W tent any time over the weekend), at which time *I* shall be the judge of this alleged greatness… but in the meantime please bugger off because you’re f***ing up the programme, and your big-headedness might sully people’s impressions of your potentially fine poetry, not to mention the memory of poor innocent Mr. Dead.”

Kanye West gets up when the slam champion has been announced, grabs the trophy and insists it should go to Beyonce.

I like the idea that I would say something about how, unfortch, for me his misogynistic lyrics preclude his opinions about how much Beyonce should win the trophy in this case (particularly if she hadn’t entered the slam!)… but to be honest I would probably be like: OH-MY-GOD-I-CAN’T-BELIEVE-IT—SURE-BEYONCE-CAN-HAVE-IT-BUT-CAN-SHE-COME-TO-THE-STAGE-TO-PICK-IT-UP-SO-I-CAN-MEET-HER-AND-WILL-SHE-BE-MY-FRIEND-WILL-SHE-REALLY-THOUGH???, before chucking the real winner a packet of polos as a replacement prize and sailing off into the sunset in the glorious ship of Beyonce’s massive and beautiful-smelling hair.

Wonderful. Along with Dreadlockalien, Rosy will be whip-cracking the programme on all weekend from Friday 26th.

If you wish to sign up for the Open Mic (Saturday 27th at 12.50pm) or the Poetry Slam (Sunday 28th at 5pm), come to the Poetry&Words tent in Bella’s Field and ask either Rosy or Dreadlockalien to put your name down. Dreadlock will be the guy with the big hat and the dreadlocks (weirdly enough).

Only 6 days to go till the gates open!!!

Scott 🙂

 

 

A woman who spits – Vanessa Kisuule

Vanessa is naturally gifted poet and performer, and along with Anna Freeman managed to twist my arm into drawing her as an owl in exchange for an interview (these Bristolians can be quite pushy 😉 ). I asked the hugely talented Vanessa Kisuule about what started her on her literary road, her experience performing for the BBC and the spectacle of Glastonbury…

vanessa2

What or who first made you want to write poetry?

My cousin introduced to me it, actually – I’d enjoyed the page stuff for a while but didn’t know anything about spoken word. He talked about how much he loved it and I wasn’t particularly convinced. I thought it sounded pretentious – but he showed me a Def Jam poetry video and it blew the top of my skull off. I thought it was the most amazing thing I’d ever seen and I was enthralled by it for months. Ironically, that contrived American slam style of poetry really grinds my gears now. My taste has changed a lot since I first started out and I now prefer less didactic poetry. But I will always be grateful for that initial spark of inspiration that those videos lit – you can never underestimate how incendiary a thing it is for someone to be stood up on stage telling their story in their own voice. So simple and yet so beautiful.

What was the first thing you wrote which made you feel like a poet?

I wrote a poem called ‘Strawberry Laces’ when I was fourteen about asking for the number of a guy that worked behind the counter at a record shop and getting rejected. In hindsight, that makes sense because I was fourteen and he was at least in his early twenties and him saying yes would have been many shades of gross. But anyway, it was the first time that an experience compelled me to write my feelings down in poetry form. I don’t even know if that made me feel like a poet then, or even if I feel like a poet now. Pah. What a wonderfully meandering and pointless answer to the question….

You were recently chosen along with Megan Beech (another of our Glastonbury poets this year) to be one of five poets performing for the BBC’s ‘Women Who Spit’ series of short films. Your poem ‘Take Up Space’ is a powerful call to arms for women to take their share of society without fear or apology. Tell us about the impetus behind the films and how you became involved. Did you write the piece specifically for the project?

The BBC contacted me having seen my stuff on YouTube and were interested in getting me involved with a project involving a group of young female spoken word artists writing poems around feminism. What’s really great is that that manifested in very different ways for each poet – whilst it’s great that women are now getting more platforms to talk about feminism, I think we can end up shoehorned into a limited space in which we are deemed unequipped to talk about anything else which is almost as bad as being completely silenced. So there’s a variety of topics addressed by all five of the commissioned poets – I wanted to write something positive and affirmative around the topic of feminism as it can be quite wearying constantly reminding ourselves of the oppression that we live with daily. It was important to me that the piece celebrated rather than lamented the experience of being a woman. It’s a love letter of sorts to the many, many women I know and love who are so brilliant, intelligent and uninhibited – being surrounded by them as an example means I have never felt like I had any limits on who or what I should be as a woman.

You seem really comfortable in front of the camera. Do you have any theatre training or are you just a naturally relaxed performer? Would you pursue other film projects?

This is hilarious, because I chronically hate being in front of the camera and there aren’t many other contexts in which I feel less comfortable. I actually had to drink a bit of wine to loosen up enough to get through shooting the BBC video – I’m glad that my nerves didn’t come across in the finished product! I am super comfortable being on stage – that, to me, is like being in my living room. I feel at home with the audience and in my body and it’s just lovely. But there’s something about the artifice of performing for this dead, unblinking camera lens that just makes me go cold. I did do theatre stuff when I was in school, but again I loved the stage and didn’t really do anything film related. I do respect and enjoy film and the power of visuals, just as long as it doesn’t involve me in front of the camera! I worked with an incredible production company last year on a few videos, one had a cast of actors and another was a gorgeous sand animation. I think there’s so much to explore as far as the medium of spoken word video is concerned so I’m looking to do more creative things than just say my poem into my webcam (which is absolutely fine and valid but just not for me!).

Any current or future projects you can share with us?

I’m actually just taking a bit of a breather from what’s been quite a mental few months. I only made the plunge into full time poet-ing a few months ago and I’ve been lucky beyond belief in just about staying afloat. So right now I’m writing new stuff, reading a lot and hatching a plan of where I want to go next. I’m keen to do some weird and uncomfortable things and push myself away from the template of what I’ve been doing over the past few years as a writer and performer. It’s the only way to grow and evolve – so hopefully by next year I’ll be doing things I can’t even conceive of now!

This will be your second Glastonbury performing for Poetry&Words. What are your memories of the first time?

I didn’t actually enjoy Glastonbury very much my first time round, if I’m honest. It was my first ever festival and I think I’d created far too high expectations in my head. I hadn’t even slept in a tent before then so the vastness of it all was too much for me to take in. There are lots of things I know about festival-ing now that I didn’t then. I pitched my tent in some random area away from the other poets so I was really isolated. I’d bought a cheap one man tent that I couldn’t even sit up in – it was like a polythene coffin. I also put way too much emphasis on seeing everything and I now know that the most fun happens when you chuck the programme over your shoulder and go with the flow. I did have two wonderful moments though: 1) Beyonce and 2) raving in a cage in Shangri La with Adam Kammerling at silly o clock on the last night. I have done many more festival perfomances now so I consider myself ‘seasoned’, so my experience will hopefully be ten thousand times better – and I will be pitching my THREE MAN tent backstage with all the other lovely Poetry and Words crew and I am certain I’ll have a whale of a time!

Who in the Poetry&Words tent (other than your good self) would you recommend this year as unmissable?

Harry Baker is a dear friend and absolutely blinding poet whose pun credentials remain unrivalled. I’ve not seen Antosh Wodjck live yet but I’ve seen his pieces on YouTube and his writing makes me want to eat my own fist with envy. Anna Freeman consistently brings the funnies and Paula Varjack and Dan Simpson are a dynamite hosting duo. It’s gonna be fab!

Which acts on the bigger stages are you most looking forward to seeing at Glastonbury?

I cannot WAIT to see Kanye. No matter what, it’s going to be a talking point! Will hopefully be checking out Mary J Blige, Pharrell Williams, Lianne La Havas, Florence and The Machine, Patti Smith, Funkadelic and The Family Stone and Flying Lotus. But like I said, I’m going to try and go with the flow, so if I see even three of these I’ll be happy. It’s all about the random gems anyway – the little performances on tiny stages that you stumble across on your way to somewhere else…..

Will you be bringing your book ‘Joyriding the Storm’ with you? I’ll swap you for one of mine. Mine’s got pictures in it and everything.

I will bring a fat stack of my books to sell – and one has got your name on it Tyrrell! (YES to the pictures)

Finally, can I put in a request for ‘A Personal Malleable Manifesto’ when you play the P&W tent?

You most certainly can :). I almost always end my sets with it so you’re in luck.

Wicked! Looking forward to that. You can catch Vanessa Kisuule in the Poetry&Words tent on:

Friday 26th at 1.40pm and Saturday 27th at 12.25pm

It’s getting so close now, but still more to come!

Scott 🙂

Glastonbury Poetry Sunday Showcase – Anna Freeman

Right. Sooooo…you may notice in place of the usual photo of the poet there is, instead, an owl. Short story is this – last year I designed the poster for Poetry&Words and went to town drawing a great number of the poets as owls. The overall response to this was one of general enthusiasm and a few of this year’s poets expressed disappointment at not being owl-ised this year – none more so than Anna Freeman who refused to give me an interview (that may or may not be an exaggeration) unless I draw her as one. Ergo, the resulting image below.

I spoke to Anna, a Glastonbury veteran, about her first Glastonbury Showcase spot, her novel, TV dramatisation, camping preferences and if she had a favourite illustrator. Hmmm…

anna_alone2How the hell are you?

I’m pretty good! I’ve got a mini bakewell tart so, you know, pretty good. Looking forward to seeing you.

Your novel, ‘The Fair Fight’ is doing quite well out in the world – critically acclaimed and selling very well. Has your expectation of being a successful novelist matched up to the reality?

I’m sorry, I’m just too important to think about that. I’ll have one of my people get back to you. Um. Really I don’t know. I don’t know if I’d definitely call it successful. The hardback has been doing well as hardbacks go, but the paperback comes out soon and that’s when you really know whether it sells. I don’t think about it much or I go weird. I’m much more comfortable being anxious about the second novel.

I understand the BBC have optioned the book for dramatization. In an ideal world, which actors would you want to play your fantasy cast? In particular the two main protagonists, Ruth and Charlotte?

I don’t know much about actors, tbh. But the woman who’s in charge of the development at the BBC definitely thinks like me about it – they can’t be too pretty. Nothing about the dramatisation should be prettied up.

It’s not an accident that my two female protagonists don’t look the way that women are told they ‘should’. One of them is covered in smallpox scars and the other has had half her teeth knocked out. The book is largely about their gradual empowerment, and part of that – though definitely not all of it – is about overcoming the pressures that women are under to look a certain way. The book is grimy and blood spattered. The cast have to be as well.

It’s quite a leap to take from writing poetry to a full blown novel. What were the writing challenges you encountered in making the transition?

You need loads more biscuits to do a novel than you do for a poem. Don’t underestimate that.

Can you tell us what you are currently working on?

I’m doing this Q&A for my friend Scott because he promised to draw me an owl. But after that I’m going to have another go at writing a bit more of my second novel. It’s a thriller set in the fifties. We’ll see if it turns out okay – I can’t tell. It’s either pure rubbish or a work of genius. One of those two.

I’m also going on tour with my show, Animal, starting in the spring and ending at Edinburgh Fringe 2016. It’s a show I’ve been writing for AGES (Really ages) with Chris Redmond and the Tongue Fu band. It’s a spoken word comedy about life choices and spirit animals, set to live music, and it’s one of the funnest things I get to do.

You’ve played the Big G a couple of times before, but this will be your first Showcase gig. What can we expect? Will there be book reading and poetry? Or just poetry? Or just book-reading? Will it be funny? Will you be wearing a hat?

No hats. And I don’t think novel either. I’ll just do my very best to be funny. And not too hungover. That’s the plan.

You’ve played your fair share of festivals. What makes Glastonbury different from the rest?

The size, to start with! But also it belongs to me in a weird way because I’ve been going to it since I was a kid.

What has been your favourite Glastonbury moment?

A couple of years ago, with Bohdan Piasecki, Deanna Rodger, Adam Kammerling, Erin Fornoff and Dan Simpson, dancing to The Destroyers. I was stone cold sober but I was so filled with pure joy that I thought, “Surely someone’s spiked me. I can’t be having this much fun sober. No way.” That’s the kind of thing my OCD brain thinks. But it was just a magic bit of dancing time.

Which acts are you looking forward to seeing at the festival?

My sister’s band, The Jolenes. I love them. All-female bluegrass high energy dancing. I don’t care who else I see. Genuinely. I don’t like making a plan. I just let what happens, happen. I’ll end up watching a lot of the poets, because the line up is ace and it’s where I live in the day.

Quick fire Camping questions…

 Airbed or roll-out mat?

Airbed all the way. I’m not a HEATHEN.

Cider or lager?

Lager. I might be from Bristol but cider makes my stomach hurt.

Do you put your towel over the dome of your tent to dry?

Um. Probably. If I’ve bothered to wash enough for my towel to get wet.

Do you bother with Guy ropes?

Of course! There’s no point having a tent if people aren’t going to fall over it in the night.

What colour wellies can we expect from you?

Whatever’s cheapest…? Or my massive army boots.

If you were forced to ditch one of these two, which would you lose – loo roll or torch?

Oh god. Why are you messing with my head?

 Trapped in a tent with – Michael Eavis or Michael Palin?

TRAPPED IN A TENT! Why am I trapped in a tent? I’m going to be way more worried about how to get out than who else is in there. I’ll pick whichever of them has a pocket knife we can use to cut a new door. Or the sharpest teeth for gnawing.

And finally some quick but VERY IMPORTANT questions…

Do you have a favourite poetry blogger?

This is a blatant bid for flattery but I’ll let you get away with it because none of the other ones have drawn me an owl.

Objectively, who do you think the best illustrator of authors as owls is?

Haha! I hadn’t read this question when I anwered the one above. I can’t do it, Scott. It makes me feel grubby. Even if I do have one of your prints framed and hung up in my house.

Which poet are you going to give a signed copy of your poetry book ‘Gingering the World from the Inside’ to, upon your immediate arrival at Glastonbury?

Oh, oh, I know this. Is it Hegley? I’m pretty sure it’s Hegley. *emoticon of a face blowing a raspberry*

(I’ve owed Scott a copy of my book for a shamefully long time in exchange for one of his that he actually remembered to post.)

 

The extremely talented Anna Freeman will be performing her showcase spot in the Poetry&Words tent on Sunday 28th at 2pm. DO NOT MISS IT!!! Find out more about Anna here: http: www.annafreemanwriter.com

Still more to come!

Scott 🙂

 

Megan Beech – poet, feminist and your P&W Open Mic host

I first met this woman at the Larmer Tree festival in Salisbury 3 years ago where she belted out her stuff with huge power and conviction not long after winning both the Slambassador’s Poetry Society National Youth Slam AND the Poetry Rivals UK under 18’s Slam. I asked the thoroughly marvellous and humble Megan Beech about Glastonbury, the BBC, feminism and fantasy Open Mic spots…

meg4

It’s been three years since I first saw you perform and in that time you have seared a groove that is all yours as a performer, writer and feminist. So much so that the BBC have taken notice and included you in their ‘Women who Spit’ series of short films. How did that come about?

The whole BBC thing happened very suddenly and very unexpectedly. I actually received a Facebook message saying they’d seen some of my work on YouTube and were keen to meet with me to film a poem with a feminist message. I was totally thrilled but my mum was convinced it was a hoax and definitely didn’t believe me until I sent her a photo of my entry pass! It was undoubtedly the most professionally and personally exciting experience I’ve had as a poet: I got to work with a camera crew and an amazing female director, Kate Misrahi, I got to meet JANE GARVEY- that goddess of quality midday Radio 4 broadcasting (!!!) and visit the Woman’s Hour studio- such stuff as dreams are made of! But, most importantly I got to share a message I feel deeply passionate about- that women are not given enough prominence in broadcasting and that there is still a bias towards the pale, stale, male patriarchy that exists and thrives in our society. To meet and have responses from some of the bold, bright, brilliant women like Jane Garvey, Lauren Laverne and Gemma Cairney who are breaking the mould with amazing top-tier broadcasting and to hear from young girls saying the piece has encouraged them has just been the BEST thing!

This is the trailer for Women who Spit featuring Megan and another Glastonbury poet this year – Vanessa Kisuule PLUS last year’s P&W blogger, Deanna Rodger. Click on the links at the end of the trailer to get the individual films on BBC iPlayer.

Your poetry book, ‘When I grow up I want to be Mary Beard’ has been talked up with much love amongst performance poets since its release as a wonderful feminist work. And the title poem was a reaction to actual bigotry hurled at the hero of the piece. Do you think it is the anonymity and transience of social media that encourages casual sexism, racism and homophobia or do you think that kind of bigotry is still embedded and we need far more consciousness-raising?

First of all-thanks very much. It’s always heartening to know that other people in the spoken word world who you respect and admire appreciate your work. I think that the anonymity of social media platforms (looking at you Twitter) does allow certain types of virulent and vicious misogyny to thrive but I think it is just one means of expressing the sexism and bigoted thinking that is still endemic in society. The thing I valued most about the whole ‘Mary Beard’ poem experience was that what I just intended to be a small message of solidarity to Mary Beard, a brilliant woman who I admire, in the face of hideous misogyny, actually got shared around a lot by loads of people. I got to chat to Mary Beard through Twitter. I got to perform at Newnham, her college at Cambridge through Twitter. I feel like if Twitter is the tool for the misogynist troll, it is also one to unify and unite women, to let our voices be heard and to share our words and ideas with likeminded people.

What are you currently working on? Any exciting projects coming up?

I have had a 45 minute spoken word show kicking around in my brain, the half-written sketchy fragments of which I’ve had in my back pocket for about a year now. It’s called PAYtriarchy at the moment, it’s all about my experiences of depression and the Gender Pay Gap- a laugh-out-loud riot I know! I’m hoping to make that happen in the next year or so. Other than that I’m gigging over the summer including Proms Extra which is broadcast on Radio 3 from (the Elgar Room at) the Royal Albert Hall. I’ve also just graduated with a First from King’s College London so I fancy a bit of a lie-down before the hard work starts again on my literature MPhil at Newnham College, Cambridge in October.

You’re hosting the Poetry&Words Open Mic this year. I’ve often fantasised about the idea of major singer/songwriters who perform on the big stages coming along and trying their words out in the Poetry&Words tent. I’ve even joked to Helen Johnson about trying to sign Michael Eavis up. Who would be your big name fantasy lyricists performing at the open mic?

WOW! What a question! I saw Michael Eavis sing ‘Happy Birthday’ with Stevie Wonder in 2010 and that was pretty special, so I can only imagine how good he would be on the poetry mic! I’d love Patti Smith to just pop over from the Pyramid and drop some verses. I once wrote a letter to PJ Harvey asking her to perform when I was working as a Young Producer for the Southbank Centre’s ‘National Poetry Day Live’ – she did not get back to us, but I live in hope, she’d be AMAZING! But y’know I’m a nineteenth century gal at heart so I’d love to have the Romantics (the original poetical boy band) perform. Shelley would astound with biting political satire attacking the Tory government and shaming David Cameron, I could share a lift with Coleridge who lived in the Somerset village, Nether Stowey, next to my hometown Bridgwater and Byron would forget to turn up. Glorious!

You’ve stood and performed on the Glastonbury Poetry stage. What advice would you give to the open mic’ers doing it for the first time?

My advice would be don’t be nervous. The atmosphere of the whole festival for me has always been about supporting everyone else, revelling in the unity born out of sharing such a lush space with other lucky people for 5 days. Go for it! Why not? Half of us are probably drunk, the other half fatigued and eager to enjoy. I entered the slam last year, I came 2nd but had the BEST time performing and listening to everyone else. Get involved- get your voice heard, you won’t regret it, I guarantee that!

Will you be bringing any of your Mary Beard books with you to the festival? We promised to swap books last year and never got round to it 🙂

Yes, I definitely will be bringing some! I have forgotten to order more from my publisher- I really NEED to get on that, thanks for reminding me! Looking forward to getting my hands on yours too!

Who or what are you looking forward to seeing at the festival?

To single anything out would be impossible. Glastonbury is such an important and magnificent part of my life, this will be my fifth year. I’m looking forward to shaking off some of the stress of the city and being back in my home county: Somerset. I’m looking forward to feeling right-on in the Leftfield with the annual sing-along to ‘A New England’ with Billy Bragg, to the mid-evening chill as you climb to see the sunset from the top of the hill, to the first cool sip of cider bus cider, to stumbling across a new band in a tiny tent in the middle of the night, to long walks back from Shangri-La at 3am, to tired feet, to a soul drenched in joy and wellies covered in mud. Just about everything really!

Sharing a tent with – Mary Beard or Emmeline Pankhurst?

Both would be a joy obviously but I reckon the Beard edges it as she would undoubtedly be an excellent festival companion. We’d invite Lauren Laverne for a big feminist drinking sess and late night philosophical chat! God, that’d be cool! Can we make this happen? I mean obviously not, but can we?!

We can get drunk and try, dammit! 🙂

You can see Megan Beech perform a set in the Poetry&Words tent on Friday 26th at 12.25pm.

If you wish to sign up for an Open Mic spot which takes place Saturday 27th at 12.50pm come as early as possible to the Poetry&Words tent and approach one of the MC’s to put your name down.

More to come…

Scott 🙂

Interview (not an argument) with Attila the Stockbroker


I saw Attila the Stockbroker perform at the Cumberland Arms in Byker, Newcastle when I first started to write and perform poetry. He was funny and truthful, with real righteous acid in his tongue. You knew he’d seen both wrongdoing and optimism and thought and fought hard about them both. You knew this was someone that loved deeply enough to sink his teeth into injustice and hang on until the last dog died. Attila was kind enough to give me an interview about his recent autobiography, his politics and his history with the festival.

Arguments Yard Cover1.indd

Your autobiography is out this year, and you’ve clearly had quite a life. What prompted you to write it, and how easy was it to get it on paper?

I’ve earned my living as a poet/musician for 35 years, done over 3000 gigs in 24 countries and got an unbelievable amount of experiences to share. I hope the book will make people laugh, think..and occasionally weep! As I say in the foreword, my message is this: you don’t need to be ‘a celebrity’ to have a happy and fulfilling life doing what you love – you just have to have a way with words, the self confidence and organisational ability of Napoleon and a skin thicker than the armour of a Chieftain tank. (Not everyone has those, of course…..)

It was very easy to write and a most enjoyable process, the first time I had embarked on something of this magnitude. My respect for people who write books for a living has increased enormously!

You’ve been a massive political campaigner and polemicist for decades.
What are your thoughts about the recent election? Are you surprised at what happened?

No. Given that there is no freedom of the press in this country, just a brazen Tory propaganda machine run by Murdoch, the Barclays and Desmond, and that many  English (not British!) people are endemically conformist cap-doffing Ragged Trousered Philanthropists who meekly do what they’re told, I’m not at all surprised that when yelled at to vote Tory by nearly every press outlet in this country, 38% of them did. In fact, I’m surprised that not more did. It’s totally undemocratic. I’d shut the Sun, Mail and Express down in the interests of public decency. They can keep the Times and the Telegraph, we can have the Mirror and the Guardian. That’d be fair.  I think it is fashionable to underplay the role of print newspapers in elections and claim that ‘the British public is more sophisticated’. Sorry, but I think if the Sun told people to shave off their pubes and put brillo pads in their underwear or they’d get crabs I reckon the dustmen would have a very hairy load the following week and the supermarkets would sell out of scourers!

Have your audiences changed throughout the years? Do you think there’s generally less political interest amongst the young than there was back when you first took up the mic?

It’s complicated because there is often politics there, just expressed in a different way. I think the fact I came out of punk and lived through the battles of the 80s meant that my delivery and focus was very militant and forceful. Most of the young people I hear now are more subtle (and often confused) about their politics.   I’ve always been much more that JUST a political polemicist, though, and some of my best recent work has been intensely personal, as you probably know.  There is a fair bit of action on the streets…I wish it was a bit more focussed, that’s all!

Are there any poets out there now that you think are successfully carrying on the mantle of poetic polemicist?

Yes, loads. Luke Wright, Itch from the King Blues, Janine Booth, Nextgen, Captain of the Rant…there are loads.  Different from me but with a lot of the same sort of values and ideas. Looking forward to checking out some new ones in the poetry tent.

What are we likely to see you do on the P&W stage this year?

Lots of new poems – and a couple of autobiography bits.

This will be your 26th Glastonbury. What is it about Glastonbury that keeps you coming back? Can you remember your first? Who played?

I love Glastonbury – it’s the only festival anywhere where you can have a thoroughly enjoyable time without ever visiting any of the major stages, just wandering around, looking, hearing, soaking up the atmosphere.  What keeps me coming back? The fact that I have been asked to perform here for the last 26 festivals. And I am very proud and grateful for that.

You’ve shared in this blog that you once fell asleep on your back, naked at Glasto and woke up sunburnt. Can you share any similarly weird episodes during your many times here?

TWO GLASTONBURY ERRORS
(Dedicated to the memory of Arabella Churchill)

Now I’ve performed at Glastonbury since 1983 –
That’s 25 so far this year, though each feels new to me
I’ve seen it grow from hippy roots into a massive splurge
A massive celebration where the old and new converge
And that’s OK. Each to their own. Us old school hardcore purists
And all the mobile-cashpoint-weekend-hippie Glasto tourists.
I have a thousand memories of sunshine, rain and flood!
Joe Strummer on the main stage, John Peel in the mud…
No time for all. Two special stories, and a rare old mixture.
The beer-befuddled memoirs of a punk rock Glasto fixture.

The first concerns a gruesome and apocryphal event
Concerning those unfortunates ensconced in the Dance Tent
One afternoon when Glasto staff were cleaning out the loos.
The bloke inside the toilet truck had two buttons to choose –
The one emblazoned ‘Suck’ and the other labelled ‘Blow’…
Wrong button, wrong place and wrong time. The end result?
Oh, no.

The second is more personal and close to home, I’d say.
My wife and I were wandering one sunny Saturday
Amidst the close-pressed masses of a modern Glasto crowd
When she had a whim to do something to make her husband proud
Give me a lift, despite my beers, and really set me up
So she gently reached behind herself to make a loving cup
But my stopping by the beer tent quite undid her wifely plan
And the loving cup was given to an unsuspecting man….
Her fingers knew at once the heinous nature of her error
And she dashed off in embarrassment, confusion, pain and terror!
I’ve never asked Robina if the grounds for her surprise
Were because her chosen target was over- or undersized……
Or was it just a different shape? Well, that’s as it may be.
Long live Michel Eavis, and long live Glastonbury!

I’ve seen you perform twice in the Poetry&Words tent now, and you’ve smashed it both times. Do you have a secret for keeping the crowd on your side?

Start off as a performer shouting anti fascist poems at drunk nazi boneheads and being attacked on stage. After that, any audience is a piece of piss.

What’s next for you? Any projects coming up you’d like to share?

Autobiography published by Cherry Red Books in September and a huge book launch tour taking in everywhere that will have me!

Finally, can I put in a request for ‘Doggy on a String’ for when you play the P&W tent?

You can.

Mint! Attila the Stockbroker will be performing ‘Doggy on a String’ just for me (and some more of his work) in the Poetry&Words tent on:

Sunday 28th at 1.15pm.

Come early as he always packs out the tent! Find out more about Atilla the Stockbroker here: www.attilathestockbroker.com

More interviews lined up. Stay tuned.

Scott 🙂

 

The FULL Glastonbury Poetry&Words 2015 Line up

Behold, the dates and times of all the stars of this year’s Poetry&Words tent at Glastonbury. Thanks to P&W’s very own behind-the-scenes veteran Jack Bird for designing this year’s poster. Is very pretty 🙂

PW Poster Final

The first of our special interviews will be going up soon. Keep watching.

Scott 🙂

The last Poets

And we’ve got doozies…

Murray Lachlan Young

MLY_04%20DT

The legendary Million Pound Poet – and an absolute don’t miss.

Poet, screenwriter-writer and broadcaster. Murray Lachlan Young is one of the UK’s most prolific and best-known poetry voices. He came to international notoriety through signing a million pound record deal with EMI records in 1997.

Subsequently he has become known for his numerous appearances and residencies on BBC Radio 2,4 and as resident poet of BBC6music.

Murray has performed commissioned work everywhere from: Shakespeare’s globe theatre to the main stage at Glastonbury to Ronnie Scots to Test match special and even the Cheltenham gold cup.

Over the last five years he has branched out to become a successful screen-writer and broadcaster. Co adapting the new movie version of the Dylan Thomas Classic: Under Milkwood – Directed by Kevin Allen and Starring Rhys Ifans.

He is currently co writing Waterfall – a new Kevin Allen movie set to shoot in the Autumn 2015 and working on an anthology with Unbound books.

Residencies include:

Sony Gold winner and resident poet with BBC6 music
Sony Gold winner and resident poet with BBC Saturday live
The Union Club: Soho.

Current work

Co writer Film: The waterfall Feature produced Fatti films shooting Autumn 015
Writer The Incomers: Dir Rhys Ifans Fattie Films (Development) 015
Co format and presenter BBC Radio 4 series The Flexigon. 015
New play: Running stag. (Development) Windswept productions 015
Taste: Dance play for C scape dance co 2015
Rehab. Musical Directed by Craig Revel-Horewood. Book: Derren Litten
MLY Grant Black. Libretto G Black and MLY.
Murray Lachlan Young verse Anthology due for release and tour Autumn
2015 Unbound books.

Recent work :

Co Adaptation – Under Milk Wood by Dylan Thomas for Fatti films. Dir
Kevin Allen. Allen 1st voice Rhys Ifans. release June 015
Film: God’s work. Feature produced Fatti films. Acclaimed BBC Radio 4
series The Alien balladeer (Jan)
Writer and participant Laphroig writers challenge 015
BBC Test match special for the Ashes 2013
Poem for 2013 Magners cider commercial The instigator.

The Incomers. Directed by Paul Jepson. National tour: From April 2013.
Windswept productions.

BBC radio Scotland. Child of the union. Half hour documentary tx 2014

Murray has written many poems on hugely diverse subject matter.

Mick Jagger recently presented Keith Richards with a CD copy of an MLY
poem to mark the anniversary of Keith Richards falling out of a
coconut tree.

 

Porky the Poet (aka Phill Jupitus)

Porky the Poet by Matt Gillett

I had the gargantuantly unfortunate task of following this man at Glastonbury last year. He brought the house down and I’ll never forgive him for that 😉 The tent is highly likely to be packed when he’s on so come early for a good spot.

Porky The Poet emerged as part of the ranting poetry scene in 1983. Inspired by performers like John Cooper-Clarke and Linton Kwesi Johnson, he followed their example and started gigging with bands. It was here he met Billy Bragg, who took him on tour as a support act in 1985. This led to a fruitful period opening for The Housemartins, The Style Council, The Pogues, Gil Scott-Heron and many others. On the poetry scene, Porky became a London circuit regular for Apples & Snakes and Cast New Variety. Around about this time he lost all his poems in Newcastle, decided to quit, changed his name back to Phill Jupitus and did other stuff. In 2007, Phill was cajoled by fellow ranting luminary Tim Wells to start writing again and return to the performance poetry scene. In 2012 at The Edinburgh Fringe he did his first full-length show Twenty Seven Years On, followed that up with Zeitgeist Limbo, Juplicity and this year debuts the all-new Apologist Now as part of the PBH Free Fringe.

“Surprisingly beautiful…” N.M.E.
“Punchy, chippy, funny…” The Guardian
“Hugely entertaining…” The Scotsman

 

 Rachel Rose Reid

Rachel Rose Reid
A captivating storyteller. Come into the tent, grab some mat and get lost in her world.

Rachel Rose Reid was raised on a hybrid of immigrant tradition, English folk clubs and concrete jungle, and all three of these worlds combine in her mesmerising stories and poetry.  She has been Artist in Residence for Dickens Museum, the Saison Poetry Library, the English Folk Dance and Song Society, and has written and performed commissions for Billy Bragg, BBC Radio 3, and the Royal Shakespeare Company.

RRR loves collaborations and has created work with a diverse range of artistic partners including the Roundhouse Experimental Choir, Dizraeli & the Small Gods and the London Symphony Orchestra. She has performed her work at the Barbican (UK), Nuyorican Poets Café (USA), the Soho Theatre (UK); ACT Theatre (Australia); Latitude Festival; Camp Bestival; Pleasance, Edinburgh; Words Festival (Denmark), Contos  de Liberdade (Portugal); Storytelling Time (Italy), Alden Biesen (Belgium); and the British Council (Malta.)  RRR is the founder of the Willesden Green Wassail, a community festival that unites a diverse urban community through the re-appropriation of ancient English tradition.

“Immense skill and breathless conviction. There’s no faulting Reid’s command of her craft”.  The Times
“Polished and compelling. A consummate performer…Definitely one to watch”. The Independent

www.rachelrosereid.com

Winston Plowes – Spoke-n-Word Walkabout Show

Winston Plowes

The legendary walkabout poet. Winston is a Glastonbury treasure.

Based near Hebden Bridge in Calderdale Winston Plowes lives aboard his floating home with his cat ‘Fatty’. In the past year he has collaborated with The Arvon Foundation, the BBC, Glastonbury Festival, UCLAN and Manchester Museum and has recently tutored on courses and workshops for The Square Chapel, The Prince’s Foundation for Children & the Arts and West Yorkshire Playhouse. As Poet in Residence for the Rochdale Canal Festival in 2012 and The Hebden Bridge Arts Festival for the past three years he has being lucky enough to share his community orientated poetry with a wider audience. As Judge for the Found Poetry Review and author of experimental work published in over 50 journals worldwide he gets the chance to play with our precious language and by providing workshops for schools hopes to continue to inspire through mutual creativity for many years to come. The jointly self-published Misery Begins at Home, 2010 and Micro Chap-book Extras, Origami Press, 2014 will soon be followed by his first collection of ghazals First of all I Wrote Your Name, Stairwell Books. Winston is also inventor of the worlds first (and possibly last) Random Poetry Generating Bicycle, the ‘Spoke-n-Word’.
www.winstonplowes.co.uk

Annabel Other – The Bristol Art Library

Annabel Other

Our other Walkabout poet this year.

The Bristol Art Library is a fully functioning public library housed in a wooden cabinet the size of a small suitcase.   Annabel Other, the artist, created the library in 1998 and is the Head Librarian. The library’s volumes cover a wide range of subjects, from palaeontology to astronomy, with 250 books (all 5 in x 4 in)  made by artists and practitioners from all areas of the arts and sciences.

Membership of Bristol Art Library is free, and once you have joined and received your manilla reader’s ticket you may  visit the library and peruse its volumes anywhere in the world. The library now has 9000 members, a gift shop and a friends’ organisation FOTBAL (Friends of The Bristol Art Library).

So that’s our full line up and it is an absolute cracker. Full times and dates of all our performances will be going up soon.

Scott 🙂

Less than one month to go!

And we’ve still got jewels to flash. Here’s another 5 ways to fuel your festival…

John Hegley

John Hegley

For my birthday 16 years ago I was given a slim volume by a friend titled ‘Can I come down now, Dad?’ by John Hegley. I’d never heard of the author. I was amused and intrigued instantly by the squiggly charming drawing of a slight man with glasses nailed to a cross on the cover. The bounty within the pages met and surpassed my expectations formed by that hastily and wonderfully penned image. Tiny perfect vignettes of absurd human frailty, loss and regret waltzed with comic grace across the pages partnered with a quiet underlying optimism that surged through it like a stick of Luton Rock.

The same friend who bought me that book then took me to a gig of John’s at Newcastle University that same year. I was amazed at a performance that waltzed as sure-footed as the words on the page, but with more pathos, more melancholy and more silliness. It was pure joy and I wanted to write poetry instantly. And I wanted it to be funny and silly and mean something. So that’s what I’ve tried to do ever since, and 16 years later I’m proud to have performed on the same stage as John Hegley several times and he is still the undisputed master and superstar of comic poetry. DO. NOT. MISS. HIM.

Mr Hegley was born in Newington Green, North London, and was educated in Luton, Bristol and Bradford University.  His first public performance monies came from busking his songs, initially outside a shoeshop in Hull, in the late Seventies. He performed on the streets of London in the early Eighties, fronting the Popticians, with whom he also recorded two sessions for John Peel, and has since been a frequent performer of his words, sung and spoken, on both local and national radio.

He has produced ten books of verse and prose pieces, two CDs and one mug, but his largest source of income is from stages on his native island. An Edinburgh Festival regular, he is noted for his exploration of such diverse topics as dog hair, potatoes, handkerchiefs and the misery of human existence.  He is an occasional DJ, dancer and workshop leader, using drawing, poetry and gesture. He has been awarded an honorary Doctorate of Arts from what is now the University of Bedfordshire, and once performed in a women’s prison in Columbia.

www.johnhegley.co.uk

 

Harry Baker

Harry Baker

I await to see this young man perform with great anticipation. Watch him perform at TED here. I dare you not to be moved by him.

Harry Baker has just graduated from studying Maths and German at the University of Bristol. In this time there he became the youngest ever World Poetry Slam Champion, has had his work shared on the homepage of TED.com and viewed over a million times online, and accidentally become an international rap battler. This year following two successful 5-star runs he is taking a third show up to the Edinburgh Fringe festival based on his debut Anthology ‘The Sunshine Kid’, published by Burning Eye in December. Having performed all around the globe he is excited to take to the Glastonbury stage for the first time, before taking off on a lifetime of adventures now his studies are finished. Whether it’s Gangsta Maths raps, Dinosaur love poems, or bilingual falafel-based tongue twisters, Harry’s playful way with words and interwoven honest narratives have made him a festival favourite across the country and continent in the past, so let’s hope this year is no different. “Simply put – the greatest performer on Earth.” – Scott Mills Show, Radio 1.

Charlotte Higgins 

Charlotte Higgins

I could listen to this girl all damn day, but alas I’ve only got two 20 minute slots to do that, and so have you, so make sure you catch her. Check her out here.

Charlotte Higgins is a poet, and a postgraduate student at Cambridge University. A previous winner of the Foyle Young Poets of the Year Award (2010) and SLAMbassadors UK (2012), she is the Young Poet in Residence at the Museum of Archeology and Anthropology in Cambridge.

Charlotte has performed at Latitude Festival, at the Proms, at the Royal Festival Hall, and at the Nuyorican Poetry Café in New York. She competed in the Hammer and Tongue National Slam Final (2014), and was a finalist in the Roundhouse Poetry Slam (2013), as well as winning the Strawberry Slam in Cambridge (2013). Charlotte has recently performed at TEDxCambridge, where she gave a talk and performance about poetry, and at the Women of the World Festival (2015) in the Southbank Centre. Later in 2015, she’s looking forward to supporting Hollie McNish on the Cambridge leg of her UK tour.

Charlotte is an active member of Burn After Reading poetry collective, led by Jacob Sam-La Rose. She runs and hosts Speakeasy, a successful Cambridge poetry night.

 

Kayo Chingonyi

Kayo Chingonyi copyright Naomi Woddis

A beautiful man with true and beautiful words that cut clean and sharp. See here.

Kayo Chingonyi was born in Zambia in 1987, moving to the UK in 1993. He holds a BA in English Literature from The University of Sheffield and an MA in Creative Writing from Royal Holloway, University of London and works as a writer, events producer, and creative writing tutor.

His poems have been published in a range of magazines and anthologies including Poetry Review, Ploughshares, Magma, Wasafiri, The Best British Poetry 2011 and 2013 (Salt Publishing, 2011 and 2013), The Salt Book of Younger Poets (Salt Publishing, 2011), Out Of Bounds (Bloodaxe, 2012), The World Record (Bloodaxe, 2012), and in his first book entitled Some Bright Elegance (Salt Publishing, 2012).

Kayo has also been invited to read from his work at venues and events across the UK and internationally in Mexico, South Africa, and Abu Dhabi. In 2012 he represented Zambia at Poetry Parnassus, a festival of world poets staged by The Southbank Centre as part of the London 2012 Festival. He was recently awarded the Geoffrey Dearmer Prize and shortlisted for the inaugural Brunel University African Poetry Prize.

Wil Greenway

Wil Greenway

Here to lighten your festival and add liberally to the bonkers of Glastonbury, give it up for Mr. Greenway…

Wil Greenway is a London-based storytelling comedian from Melbourne.  He’s a survivor of the Australian festival circuit, a regular at The Bus Driver’s Prayer, an occassional face on Australian TV and a fairly average barista.  Since 2010 Wil has been writing and performing critically acclaimed festival shows.  He is co-creator of The Lounge Room Confabulators (Winner of The Underbelly Edinburgh Award and The Adelaide Fringe Award), and the lonely idiot behind A Night to Dismember (runners up Best Comedy and Best Comedy Performer at Auckland Fringe) and Vincent Goes Splat (“an absurd and yet utterly human story” – Daniel Kitson).  Wil has recently sold out shows in Ediburgh, Melbourne, Oslo and London, and quit his awful coffee job to act in a film in Australia.  Currently he’s working on For the Ground that Grew Me, which will premiere at Underbelly for the Edinburgh Fringe this August.

www.facebook.com/heywilgreenway

@willgreenway

And after all this lot, we’re still not done rolling out the legends. More poets to come, and some very special interviews…

Scott 🙂